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Hinwick House, built in 1709-14 for Richard Orlebar, stands to the north of the hamlet of Hinwick, Bedfordshire, England, in its own park of about 32acres (130,000m2) on the west side of the road from Podington and to the south off the Wollaston Road from which the house is approached along a drive. At the end of which are wrought-iron gates with stone piers surmounted by collared eagles' heads with wings displayed, the crest of the Orlebar family in whose property the house remains.
The house has three storeys, with the entrance front facing the east. At the back is a smaller house known as the Turret. This is the oldest block in the group of buildings, and probably dates from the 17th century. It was a low T-shaped building, two storeys high, with dormers in the roof. It is built of stone and roofed with Collyweston stone slate, but at the time of the erection of the main house a small square addition surmounted by an hexagonal turret was made on the east side. On the east front the tower is open to the height of the floor of the top storey, and inside it is curved in plan with a double staircase leading up out of the garden to the first floor.
The larger house is three storeys high with a flat roof. In the centre of the east front, entered directly from the garden, is the hall, elaborately panelled, behind which is the inner hall. Out of the inner hall rises the staircase, a fine piece of 18th-century joinery work, with delicately turned balusters and moulded hand-rail. On the north is the dining-room and on the south is the drawing-room. Several of the bedrooms are panelled. The entrance or east front is divided into three bays by four Corinthian pilasters, over which the cornice breaks, while from the cornice are carried up to the top of the balustrade, immediately over these pilasters, smaller ones of the Doric order. The level of the first floor is masked by a projecting string. At the sides of the entrance doorway are panelled pilasters with carved brackets supporting a cornice, above which is a cartouche carved with the arms of Orlebar impaling Astrey set within a broken pediment.
At the west angle of the south front is a Corinthian pilaster corresponding to the south angle pilaster to the front fa?ade, while above the cornices is a triangular pediment, the tympanum of which is carved with a scene representing Diana hunting by John Hunt of Northampton who has also been credited with the design of the house. The interest of the west front is enhanced by the projecting wings on the north and south. The Victorian north wing of the house was built in 1859-66 by F. C Penrose in the Georgian style.
References
Parishes: Podington and Hinwick, A History of the County of Bedford. Vol. 3. 1912. pp.pp. 80-87. http://www.british-history.ac.uk/report.aspx?compid=42387.
Pevsner, Nikolaus (1968). The Buildings of England, Bedfordshire, Huntingdon and Peterborough. London: Penguin Books.
Hinwick House has recently started organising live music events, particularly acoustic, folk and blues music. More information on the events can be found at [www.myspace.com/hinwickhouse]
See also
Hinwick
Air Vice Marshal Augustus Orlebar
Coordinates: 5214?53?N 037?52?W? / ?52.248 0.631? / 52.248; -0.631
Categories: Houses in Bedfordshire | Grade I listed houses | Grade I listed buildings in Bedfordshire(and so on)

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The epithet pop-up is often applied to any three-dimensional or movable book, although properly the umbrella term movable book covers pop-ups, transformations, tunnel books, volvelles, flaps, pull-tabs, pop-outs, pull-downs, and more, each of which performs in a different manner. Also included, because they employ the same techniques, are three-dimensional greeting cards.
Contents
1 Pop-up types
1.1 Transformations
1.2 Volvelles
1.3 Tunnel books
2 History
3 Notable works
4 References
5 Further reading
6 External links
//
Pop-up types
Design and creation of such books is known as paper engineering, a term not to be confused with the term for the science of paper making. It is akin to origami in so far as the two arts both employ folded paper. However, origami tends to be focused on creating objects, whereas pop-ups tend to remain essentially pictorial and mechanical in nature. Some examples follow.
Transformations
Transformations show a scene made up of vertical slats. By pulling a tab on the side, the slats slide under and over one another to "transform" into a totally different scene. Ernest Nister, one of the early English children's book authors, often produced books solely of transformations. Many of these have been reproduced by the Metropolitan Museum of Art.[citation needed]
Volvelles
Main article: Volvelle
Volvelles are paper constructions with rotating parts. An early example is the Astronomicum Caesareum, by Petrus Apianus, which was made for the Holy Roman Emperor Charles in 1540. The book is full of nested circular pieces revolving on grommets.
Tunnel books
Tunnel books (also called peepshow books) consist of a set of pages bound with two folded concertina strips on each side and viewed through a hole in the cover. Openings in each page allow the viewer to see through the entire book to the back, and images on each page work together to create a dimensional scene inside. This type of book dates from the mid-eighteenth century and was inspired by theatrical stage sets. Traditionally, these books were often created to commemorate special events or sold as souvenirs of tourist attractions. (The term "tunnel book" derives from the fact that many of these books were made to commemorate the building of the tunnel under the Thames River in London in the mid-1800s.) In the United States, tunnel books were made for such attractions as World Fairs and the New York Botanical Gardens.
Recently the tunnel book format has been resurrected by book artist Carol Barton and others as a sculptural book form. Artists are interested not only in the book's interior views, but also in treating the side accordions and covers as informational and visual surfaces.
History
The audience for early movable books was adults, not children. It is believed that the first use of movable mechanics appeared in a manuscript for an astrological book in 1306. The Catalan mystic and poet Ramon Llull, of Majorca, used a revolving disc or volvelle to illustrate his theories. Throughout the centuries volvelles have been used for such diverse purposes as teaching anatomy, making astronomical predictions, creating secret code, and telling fortunes. By 1564 another movable astrological book titled Cosmographia Petri Apiani had been published. In the following years, the medical profession made use of this format, illustrating anatomical books with layers and flaps showing the human body. The English landscape designer Capability Brown made use of flaps to illustrate "before and after" views of his designs.
While it can be documented that books with movable parts had been used for centuries, they were almost always used in scholarly works. It was not until the eighteenth century that these techniques were applied to books designed for entertainment, particularly for children.
Notable works
Some pop-up books receive attention as literary works for the degree of artistry or sophistication which they entail. One example is STAR WARS: A Pop-Up Guide to the Galaxy, by Matthew Reinhart. This book received literary attention for its elaborate pop-ups, and the skill of its imagery, with the New York Times saying that "calling this sophisticated piece of engineering a 'pop-up book' is like calling the Great Wall of China a partition".
References
^ "A Galaxy in Your Face", The New York Times Book Review, Children's Books section, 11 November 2007.
Further reading
The Pocket Paper Engineer, Volume 1 by Carol Barton, 2005
The Pocket Paper Engineer, Volume 2 by Carol Barton, 2008
The Elements of Pop-Up by David A. Carter and James Diaz, 1999.
Paper Engineering: 3D Design Techniques for a 2D Material by Natalie Avella. Rotovision, 2003.
External links
A brief history of popup and movable books
Robert Sabuda...(and so on)

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The Tyszkiewicz Palace houses the museum

A mere on the grounds of the Amber Museum garden
The Palanga Amber Museum (Lithuanian: Palangos gintaro muziejus), near the Baltic Sea in Palanga, Lithuania, is a branch of the Lithuanian Art Museum. It is housed in the restored 19th-century Ti?kevi?iai Palace, Palanga and is surrounded by the Palanga Botanical Garden. The museum's collection of amber comprises about 28,000 pieces, of which about 15,000 contain inclusions of insects, spiders, or plants. About 4,500 pieces of amber are exhibited; many of these are items of artwork and jewelry.
Contents
1 History and background
2 Exhibits
3 Botanical garden
4 Footnotes
5 External links
//
History and background
The Baltic Sea coast has been a source of Eurasian amber trade since prehistoric times (see Amber Road). Neolithic artifacts made of amber were discovered in nearby Juodkrant? in the 19th century - these artifacts unfortunately disappeared during the 20th century. Lithuanian mythology, folklore, and art have long associations with amber; the legend of J?rat? and Kastytis imagines an undersea palace of amber under the Baltic, which was shattered by Perk?nas, the god of thunder. Its fragments were said to be the source of the amber that still washes up on the beaches nearby.
Amber workshops appeared in Palanga during the 17th century; guilds devoted to the material functioned in Brge, Leck, Danzig, and K?nigsberg. By the end of the 18th century Palanga was the center of the Russian Empire's amber industry. In the years preceding World War I about 2,000 kilograms of raw amber were processed in Palanga annually.
In 1897 Feliks Tyszkiewicz, a member of an old Ruthenian/Lithuanian noble family that had long had a presence in Palanga, built the Neo-Renaissance-style palace that now houses the museum. Designed by the German architect Franz Heinrich Schwechten, it fell into disrepair after the disruptions of World War I and World War II. The palace was restored in 1957 according to plans by the architect Alfredas Brusokas. It opened as an amber museum in 1963 as a branch of the Lithuanian Museum of Fine Arts, with a small collection of about 480 pieces; it received its millionth visitor on August 13, 1970. The palace was incorporated into the Lithuanian Art Museum during the 1990s, and continues to expand.
Exhibits

One of the largest amber pieces in Europe, the Amber Sun or Sun Stone, exhibited in the museum
The exhibition areas open to the public include 15 rooms covering about 750 square meters; a chapel connected to the palace houses temporary exhibitions. The museum is thematically divided into the scientific and cultural/artistic aspects of amber.
The first floor is dedicated to displays that illustrate the formation and composition of amber. Amber in the area arose from deltaic deposits of rivers flowing from Fennoscandia in the Eocene Period, about 40 to 45 million years ago. The processes via which resin is changed into amber by microorganisms, oxidation, and polymerization are illustrated. Samples of microdrops and microicicles (i.e. "amber within amber") are among the displayed items. The museum holds the third largest amber specimen in Europe, the "Sun Stone", weighing over 3.5 kilograms, which has been stolen twice. Amber from other areas of the world is also part of the collection.
The cultural and artistic exhibits include a 15th century ring, a 16th century cross, and amber jewelry from the past four centuries, as well as a number of rosaries, cigarette holders, and decorative boxes. The missing amber artifacts that were dated to the Neolithic era have been reconstructed by archeologists. Selections of modern amber work are part of the collection, including pieces by the Lithuanian artists Horstas Taleikis, Dionyzas Varkalis, Jonas Urbonas, and others.
Botanical garden

The Birut? Hill in spring, presumable burial place of Grand Duchess Birut?
The gardens surrounding the museum cover about 100 hectares. They were designed by the French landscape architect and botanist ouard Andr (18401911) and his son Rene Eduard Andre, assisted by the Belgian gardener Buyssen de Coulon. Local historians have estimated that they originally contained about 500 varieties of trees and shrubs, some brought from gardens in Berlin. About 250 imported and 370 native plant species are now represented at the park; 24 of these are included in Lithuania's 1992 list of endangered species. Pine and fir trees adapted to the sandy soil predominate.
The park features a rose garden, greenhouse, rotunda, a sculpture of Egl?, the Queen of Serpents, a Holocaust memorial, ponds, and gazebos; during the summer it hosts concerts and festivals. It contains an ancient forested sand dune, known as Birut?'s Hill (Lithuanian: Birut?s kalnas), topped with a chapel...(and so on)

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Early example of Lego Technic.
Technic is a line of Lego interconnecting plastic rods and parts. The purpose of this series is to create more advanced models with more complex movable parts, such as machines with wheels, in addition to the simpler brick-building properties of normal Lego. The concept was introduced as the Expert Builder series in America and as Technical Lego in the UK in 1977, and was renamed Technic in 1984.
Technic sets are often characterized by the presence of special pieces, such as gears, axles, pins, and beams. Some sets also come with pneumatic pieces or electric motors. In recent years, technic pieces have begun filtering down into other Lego sets as well, most notably the Bionicle sets (some of which were sold as part of the Technic line), as well as a great many others.
The style of Technic sets has been changing over time. Technic sets produced since the year 2000 use a different construction methodology, described as "studless construction" (Studs are the small circular knobs which appear on traditional Lego bricks). This method utilizes beams and pins rather than technic bricks.
Mindstorms, a Lego line of robotic products, also uses a large number of Technic pieces, although it is sold as a separate line of products. The next generation of the Mindstorms range, the Mindstorms NXT range (released August 2006), is based on the studless construction method.
Contents
1 "Studded" versus "Studless"
2 Lego Technic components
2.1 Motors
2.2 Pneumatics
2.3 Gears
3 See also
4 External links
5 References
//
"Studded" versus "Studless"

A construction using the old pieces with studs.
Although studless beams have been present in Technic sets for many years, the change from primarily studded to primarily studless construction represented a major paradigm shift and has been quite controversial.
The primary advantage of studless construction is the addition of new construction methods that were previously unavailable. The new studless beams are exactly 1 unit in height, in contrast to studded beams, which are a non-integer multiple of one unit. It can be awkward to use studded beams in vertical structures because it is necessary to insert plates between the studded beams in order to get the holes to line up.

A vehicle using the new pieces without studs.
Studless beams allow greater flexibility when building in multiple dimensions, while remaining compatible with "classic" studded beams. Some builders also believe that models constructed with studless beams look nicer than their studded counterparts.
However, studless construction also introduces disadvantages. Studless construction is not immediately intuitive, requiring the builder to think five or six steps ahead. While studded construction follows the classic bottom-to-top building pattern, studless construction requires building inside-to-outside. There is also the issue of inertia: studded construction has been around for much longer, and has a much stronger tradition, than studless construction. It is also obviously easier to incorporate other lego bricks and plates into studded construction.
As of 2006, Lego has begun to re-incorporate studded bricks back into the Technic line, which can be seen in sets such as 8421, The Mobile Crane.
Lego Technic components
Lego Technic system expands on the normal Lego bricks with a whole range of new bricks that offer new functionality and building styles. The most significant change from normal Lego is that single-stud wide bricks ('beams') have circular holes through their vertical face, positioned in-between the studs. These holes can accommodate pins, which enable two beams to be held securely together, either side-by-side, or at an angle.
Motors
Lego Technic system has always included a variety of different electric motors. Broadly, these divide into those powered by batteries, held in a connected battery box, or by mains electricity, via a transformer. Battery-power is the most common.
Early motors were either 9 volt or 4.5 volt, and consisted of a large brick with a small protruding axle that would rotate when the motor was powered. The motor was not hugely geared-down, resulting in high-RPM, low-torque output.
Recent motors, contain a hole into which an axle should be inserted, enabling axles of different lengths to be used.
In late 2007, a new motor system was released called 'Power Functions'; it was included within the B8275 Motorized Bulldozer. It comprised a set of motors, two IR receivers, IR remote control and a battery box, thus resulting in a remote-control model. One IR receiver would connect to the battery box whilst the other receiver connected to the motor (up to two motors per receiver), thus remote-control was achieved.
Pneumatics
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The Magician's Horse
Folk tale
Name:
The Magician's Horse
Data
Country:
Greece
Published in:
The Grey Fairy Book
The Magician's Horse is a Greek fairy tale. Andrew Lang included it in The Grey Fairy Book.
Synopsis
A king's three sons went hunting, and the youngest got lost. He came to a great hall and ate there. Then he found an old man, who asked him who he was. He told how he had become lost and offered to enter his service. The old man set him to keep the stove lit, to fetch the firewood from the forest, and to take care of the black horse in the stables.
The man was a magician, and the fire was the source of his power, though he did not tell the prince.
One day, the prince nearly let the fire go out, and the old man stormed in. Frightened, the prince threw another log on it and nursed it back.
The horse told him to saddle and bridle it, to use an ointment that made his hair like gold, and to pile all the wood he could on the fire. This set the hall on fire. The horse then told him to take looking-glass, a brush and a riding-whip, and ride off on him. The magician chased on a roan horse, but the prince threw down the looking glass, the horse cut its feet on it, and the magician had to go back to put new shoes on him, but then he chased the prince again. The horse had the prince throw the brush on the ground. This produced a thick wood, and the magician had to go back and get an axe to cut through it, but then he chased the prince again. The prince threw down the whip; it became a river, and when the magician tried to cross it, it put out his magical fire and killed him.
The horse told the prince to strike the ground with a willow wand. A door opened, making a hall in which the horse stayed, but he sent the prince through the fields to take service with a king. He wore a scarf to hide his golden hair. He worked as a gardener and every day brought half his food to the horse.
One day, the horse told him that the king's three daughters would chose their husbands: a great company of lords would gather, and they would throw their diamond apples into the air. The man at whose feet the apple stopped would be the bridegroom. He should be in the garden, nearby, and the youngest's would roll to him; he should take it up at once.
He did. The scarf slipped a little, the princess saw his hair and fell in love at once, and the king, though reluctant, let them marry.
Soon after, the king had to go to war. He gave the prince a broken-down nag. The prince went to the black horse; it gave him arms and armor, and he rode it to battle and won the battle, but fled before he could be clearly seen. Twice more, he went to war, but the third time, he was wounded, and the king bound his wound with his own handkerchief. The princess his wife recognized it and revealed it to her father. There was great rejoicing, and the king gave him half his kingdom.
Variants on motifs
This particular type of tale is well known, being particularly found in Germany, Scandanvia, and the Baltic, but also throughout Europe, and appears in Asia down to Indonesia and also in Africa. Other tales like this include Little Johnny Sheep-Dung and The Gifts of the Magician. A less common variant, found only in Europe, opens with the hero rescuing a wild man, as in Iron John, Guerrino and the Savage Man, and The Hairy Man.
The motifs are found in many more tales. While getting a horse is a frequent quest object, it is usually the side effect of needing it for something else, as in The Death of Koschei the Deathless or The Nine Peahens and the Golden Apples. It is generally a gift of the donor, as in F?t-Frumos with the Golden Hair.
When the hero is working for the villain, the usual aid comes from a woman who is the heroine -- The Battle of the Birds, The White Dove, or The Master Maid -- and therefore does not end as this one does, with an additional adventure to gain a bride, as in The Hairy Man.
Compare Prince Ring.
References
^ Andrew Lang, The Grey Fairy Book, "The Magician's Horse"
^ Stith Thompson, The Folktale, p 59-60, University of California Press, Berkeley Los Angeles London, 1977
^ Stith Thompson, The Folktale, p 60-1, University of California Press, Berkeley Los Angeles London, 1977
Categories: Greek fairy tales | Fictional horses(and so on)

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Abbott and Costello Meet Dr. Jekyll and Mr. Hyde
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde Theatrical Poster
Directed by
Charles Lamont
Produced by
Howard Christie
Written by
Howard DimsdaleSid FieldsGrant GarettJohn GrantLee Loeb
Starring
Bud AbbottLou CostelloBoris Karloff
Music by
Joseph Gershenson
Cinematography
George Robinson
Editing by
Russell Schoengarth
Distributed by
Universal Pictures
Release date(s)
August 10, 1953
Running time
76 min.
Country
United States
Language
English
Budget
$650,000
Preceded by
Abbott and Costello Go to Mars (1953)
Followed by
Abbott and Costello Meet the Keystone Kops (1955)
IMDb
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde is a 1953 horror comedy film directed by Charles Lamont and starring the comedy team of Abbott and Costello, and co-starring Boris Karloff.
Loosely based on the novel The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson, the film follows the story of two American detectives visiting Edwardian London who become involved with the hunt for Dr. Jekyll, who is responsible for a series of murders.
Contents
1 Plot
2 Production
3 Comparisons to other versions
4 Cast
5 DVD Release
6 References
7 External links
//
Plot
Slim (Bud Abbott) and Tubby (Lou Costello) are American cops in London studying police tactics. A newspaper reporter, Bruce Adams (Craig Stevens), gets into an altercation at Hyde Park that was instigated by Vicky Edwards (Helen Westcott), a suffragette. Bruce and Vicky wind up in jail, while Slim and Tubby are kicked off the police force. Dr. Henry Jekyll, Vicky's guardian, bails them out.
Jekyll has been conducting home experiments in which he injects a potion and transforms into Mr. Hyde, a monster who murders a fellow doctor when he scoffed at Jekyll's experiments. Jekyll has more thoughts of murder when he notices that Vicky and Bruce are mutually attracted. Tubby and Slim witness the doctor's shenanigans at a music hall, where they begin to chase him with Bruce at their side. Tubby traps Hyde in a wax museum, but by the time he brings the Inspector (Reginald Denny) and Slim to the scene, the monster has already reverted back to Dr. Jekyll. The "good' doctor then asks Slim and Tubby to escort him to his home, where Tubby drinks a potion that transforms him into a large mouse. Slim and Tubby bring news of Jekyll's activities to the Inspector, who refuses to believe them.
Vicky announces her engagement to Bruce and Mr. Hyde reemerges, this time with intent to murder Vicky. Bruce saves her, but Hyde escapes. Tubby accidentally falls onto a serum-filled syringe, transforming Tubby into a Hyde-like monster as well. Bruce chases after Hyde, while Slim pursues Tubby, each believing still that there is only a single monster. Bruce ends up back at Jekyll's home, where Hyde falls from an upstairs window to his death, revealing to everyone his true identity when he reverts to normal form. Slim then brings Tubby (still in monster form) to the Inspector. Before reverting to human form, Tubby bites the Inspector and a half-dozen officers, transforming them into monsters who begin to chase Slim and Tubby.
Production
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde was filmed between January 26 and February 20, 1953. This film received an "X" rating in England because of the scenes with Mr. Hyde.
Comparisons to other versions
Unlike in other screen versions of 'Dr. Jekyll & Mr. Hyde', Jekyll is evil in his own right, instead of being a man split between good and evil personae. He has no qualms about transforming into Mr. Hyde to commit murder.
Cast
Bud Abbott as Slim
Lou Costello as Tubby
Boris Karloff as Dr. Henry Jekyll/Mr. Hyde
Craig Stevens as Bruce Adams
Helen Westcott as Vicky Edwards
Reginald Denny as Inspector
John Dierkes as Batley
DVD Release
This film has been released twice on DVD. The first time, on The Best of Abbott and Costello Volume Four, on October 4, 2005, and again on October 28, 2008 as part of Abbott and Costello: The Complete Universal Pictures Collection.

October 4, 2005
References
^ Furmanek, Bob and Ron Palumbo (1991). Abbott and Costello in Hollywood. New York: Perigee Books. ISBN 0-399-51605-0
Wingrove, David. Science Fiction Film Source Book (Longman Group Limited, 1985)
External links
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde at the Internet Movie Database

v?d?eAbbott and Costello
Bud Abbott ? Lou Costello
Films
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Brittany Scullark
Birth name
Brittany Scullark
Date of birth
April 26, 1985 (age 23)
Place of birth
Harlem, New York, USA
Height
5'8" [172.5cm]
Hair color
Black
Eye color
Brown
Measurements
34"-26"-34"
Dress size
2
Shoe size
8.5
Agency
Ford Models - New York
Brittany "Bre" Scullark (born April 26, 1985) is an American fashion model. She placed third on America's Next Top Model, Cycle 5.
Contents
1 Early Life
2 America's Next Top Model
3 Career
3.1 Runway
3.2 Print Work
3.3 Commercials
3.4 Other
4 References
5 External links
//
Early Life
Scullark was born in Harlem, New York. She began swimming competitively when she 9 years old, winning many medals. Bre attended Catholic school throughout elementary and middle school. She attended Ramapo High School in Rockland, New York, for high school. She was a student at Sullivan County Community College in upstate New York, she studied international sales and interned at Vincent Nessi's showroom. Her first fashion show was The Juneteenth fashion show in NYC.
America's Next Top Model
Bre was the 5th contestant to be chosen of the final 13 girls in Cycle 5. She is perhaps best known for her raspy, sultry voice and spunky personality. Over her stay she won two challenges, was voted Covergirl of the Week twice and received one first call-out. Bre also holds the record along with Ann Markley of Cycle 3 and Jade Cole of Cycle 6 for landing five times in the bottom two. She was criticized for her lack of height. Bre was involved in a memorable argument with fellow contestant Nicole Linkletter when she accused Nicole of stealing her granola bar, and retaliated by disposing of all of Nicole's energy drinks. The girls refused to talk civily until they reconciled during a day out in London when they were paired together, originally to their dismay. The identity of who stole the granola bar remains unknown. She placed 3rd, despite her strong improvement, she was seen weaker than her two competitors Nik Pace and Nicole Linkletter.
Bre appeared in an episode of Cycle 7 to critique the models on their walks and also appeared in Cycle 8 episode which posing a photograph with Jaslene Gonzalez.
Career
Bre is currently signed to Ford Models in New York City. She has done some Ask Bre featurettes with them.
Runway
Referred to by Ms J. as one of the best walkers ever on the show, she has participated in many fashion shows including BET Rip the Runway and Hot 97 Fashion Show. Other runway credits include Valentino and Nicole Miller.Bre modeled for Doucette Duvall for New York Fashion Week Fall/Winter 2008.
Print Work
She has also been featured in Vibe Magazine, Essence Magazine, Elle Girl and Hype Hair Magazine. Together with Nik Pace and Nicole Linkletter, they shared a spread in US Weekly, December 2005 issue. She was also in Instyle magazine. Bre had a cover and spread for Mahogany Magazine in Fall 2006.Bre had a spread for Knit 1 magazine and appeared in the April 2007 issue of Cover Magazine.She has done print work for Doucette Duvall. Bre was in the June/July 2008 issue of CosmoGirl.She also had a spread in the June issue of Six Degrees Magazine.. She has also modeled for Real Simple. She also appeared in ads for Pantene Sisters of Shine Tour and Vaseline, Sears, KMart and Wal-Mart's Piper and Blue Jeans. She appeared in the December 2008 issue of Ebony Magazine.
Commercials
She has also appeared in commercials for Target, Old Navy and Pantene. She is currently a spokesmodel for Ambi skin care products for women of color. She appears on the front of the hair-coloring box kits for Dark and Lovely coloring products.
Other
She appeared in the music video Change Me by Ruben Studdard. She has also hosted Certified, a music show. Bre has appeared many times on the Tyra Banks Show, including one episode where she modeled for Jill Stuart. She was interviewed in the September 2008 issue of Ebony Magazine in an article about the fashion's industry "blackout" titled Where are all the black models. She also appears in the Ambi commercial. She says "hey" to the other ladies.
References
^ a b FMD - Profile of fashion model Bre Scullark
^ Ask Bre
^ Pantene Sisters of Shine Pantene Article
^ Doucette Duvall Fall/Winter 2008
^ Vibe Magazine
^ Essence Magazine
^ Hype Hair Magazine
^ US Weekly
^ Mahogany Magazine
^ Knit 1 Magazine
^ Cover Magazine
^ Doucette Duvall
^ CosmoGirl!
^ Six Degrees Magazine
^ Real Simple
^ Sears
^ Kmart
^ http://community.livejournal.com/topmodel/2303817.html
^ Ebony Magazine - December 2008
^ Soft Sheen Carson
^ Ruben...(and so on)

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Music of Cameroon: Subjects
Makossa
Bikutsi
Mvet
Assiko
Nganja
Bend-skin
New rumba
Bantowbol
Ambasse bey
Timeline and Samples
Francophone Africa
Algeria - Burkina Faso - Burundi - Cameroon - Central African Rep. - Comoros - Congo-Brazzaville - Congo-Kinsasha - C?te d'Ivoire - Djibouti - Madagascar - Mali - Mauritania - Mauritius - Morocco - Niger - Rwanda - Senegal - Seychelles - Togo - Tunisia
The best-known Music of Cameroon is makossa, a popular style that has gained fans across Africa, and its related dance craze bikutsi.
The pirogue sailors of Douala are known for a kind of singing called ngoso, which has evolved into a kind of modern music accompanied by zanza, balafon and various percussion instruments.
For more on Cameroonian music, visit www.elvizy.com
Contents
1 Traditional music
1.1 Beti
2 Modern Cameroonian music
2.1 1950s and 60s
2.2 1970s
2.3 1980s
2.4 1990s
3 References
4 External links
//
Traditional music

Lela celebrations in Bali, Cameroon, around 1908. Four men play on holy lela flutes. The celebrations are directed by members of the Bali royal family.

Music for the Lela celebration
Wax cylinder recording of lela flute playing, 1908.
Problems listening to this file? See media help.
This section requires expansion.
Beti
Cameroon is home to numerous distinct ethnic groups. The Beti, or Ewondo, are among the most numerous, and live in the area around Yaound and south into Equatorial Guinea. The Beti are best-known for bikutsi music, which has been popularized and become a rival for the more urban and accessible makossa of Douala. Bikutsi is characterized by an intense 6/8 rhythm, and is played at all sorts of Beti gatherings, including parties, funerals and weddings. The word bikutsi can be loosely translated as beating the ground continuously.
Beti gatherings fall into two major categories:
Ekang phase: the time when imaginary, mythological and spiritual issues are discussed
Bikutsi phase: when real-life issues are discussed
A double sided harp with calabash amplification called the mvet is used during these ceremonies, by Beti storytellers, who are viewed as using the mvet as an instrument of God to educate the people. The Ekang phase is intensely musical, and usually lasts all night. There are poetic recitations accompanied by clapping and dancing, with interludes for improvised and sometimes obscene performances on the balafon (a type of xylophone). These interludes signal the shift to the bikutsi phase, which is much less strictly structured than Ekang. During bikutsi, women dance and sing along with the balafon, and lyrics focus on real-life problems, as well as sexual fantasies. These female choruses are an integral part of bikutsi, and their intense dancing and screams are characteristic of the genre. Another type of ceremony is the mevungu, when women dance all night in order to abstain from sex during those hours for a period of nine days. The sso ritual is much-feared by Beti boys, as it involves a series of tests to mark a boy's passage into manhood.
Modern Cameroonian music

Bamileke drummers in Cameroon's West Province.
The earliest recorded music from Cameroon comes from the 1930s, when the most popular styles were imported pop music and French-style chanson. In Douala, the most-developed city in Cameroon, accordions and ambasse bey music were common, with performers like Lobe Lobe, Ebanda Manfred and Nelle Eyoum finding a local audience. Ekambi Brillant and the first major Cameroonian hit, "N'Gon Abo", set the stage for the development of makossa. Post-independence in 1960, a local variant on palm wine music called assiko was popular, especially Jean Bikoko and Dikoume Bernard.
The urbanization of Cameroon has had a major influence on the country's music. Migration to the city of Yaound, for example, was a major cause for the popularization of bikutsi music. During the 1950s, bars sprang up across the city to accommodate the influx of new inhabitants, and soon became a symbol for Cameroonian identity in the face of colonialism. Balafon orchestras, consisting of 3-5 balafons and various percussion instruments (including the balafon, which is both a harmonic and percussive instrument) became common in the bars. Some of these orchestras, such as Richard Band de Zoetele, became quite popular in spite of scorn from the European elite.
1950s and 60s
The middle of the 20th century saw the popularization of a native folk music called bikutsi. Bikutsi is based on a war rhythm played with various rattles and drums and xylophone. Sung by women, bikutsi featured sexually explicit lyrics and songs about everyday problems. In a popularized form, bikutsi gained mainstream success in...(and so on)

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Ralf und Florian
Studio album by Kraftwerk
Released
1973 - GermanyReleased later in other countries
Recorded
May - July 1973 at:Kraftwerk Studio - DseldorfCornet Studio - K?lnRhenus Studio - K?lnStudio 70 - Munich
Genre
KrautrockElectronic music
Length
37:41
Label
PhilipsVertigo
Producer
Conny PlankRalf HterFlorian Schneider
Professional reviews
Allmusic link
Kraftwerk chronology
Kraftwerk 2(1972)
Ralf and Florian(1973)
Autobahn(1974)
Ralf und Florian is a 1973 album created and produced by the German music group Kraftwerk. It was also released under the English name of Ralf and Florian. Unlike Kraftwerk's later albums, which featured language-specific lyrics, only the titles differ between the English and German editions.
Contents
1 Background
2 Note
3 Track listing
3.1 Side one
3.2 Side two
4 Credits
5 Release details
//
Background
Along with Kraftwerk's first two albums, Ralf und Florian has, as of 2008, never been officially re-issued on compact disc. However, the album remains an influential and sought after work, and bootlegged CD's were widely distributed in the 1990s on the Germanofon label. The band has hinted that the album may finally see a re-mastered CD release after their Der Katalog box set.
As indicated by the title (and like their previous album), all the tracks were written, performed and produced by Ralf Hter and Florian Schneider, with the sessions engineered by the influential Konrad "Conny" Plank. The album has a fuller and more polished sound quality than previous efforts, and this is clearly due to the use of a number of commercial recording studios in addition to Kraftwerk's own yet-to-be-named Kling Klang. The colour photograph on the back of the cover gives a vivid impression of the bohemian state of Kraftwerk's own facilities at the time including egg-box trays pasted, nailed, or stuck on the walls for soundproofing.
The album is still almost entirely instrumental (some wordless yodelling appears in "Tanzmusik", and "Ananas Symphonie" features the band's first use of a machine voice created by an early prototype vocoder, a sound which would later become a Kraftwerk trademark). Instrumentation begins to show more obvious use of synthesizers (Minimoog and EMS AKS), however most melodic and harmonic keyboard parts are performed on Farfisa electronic piano/organ. Flute and guitar are still much in evidence. The band were still without a drummer, and several tracks, particularly "Tanzmusik", make use of a preset organ rhythm machine. "Kristallo" features a striking rhythmic electronic bassline (actually created on the EMS synthesizer with the aid of the vocoder), however in general the album is much gentler and less rhythmically precise than Kraftwerk's later electronic work.
The LP included a "musicomic" poster insert of cartoons by Emil Schult, who had been playing electric violin live with the band (although he does not feature on the album recordings). Schult remains a collaborator of Kraftwerk's to the present day. The cartoons illustrated each track on the album, as well as the city of Dseldorf, with the caption "In Dseldorf am Rhein, klingt es bald!", which translates literally in English as "In Dseldorf on the Rhine, it will sound soon" (perhaps the phrase "the sound gets around" captures the snappy feel of the maxim better). Also note that this is kind of a reference to Kraftwerk's Dseldorf based Kling Klang studio.
The album was a modest success in Germany. Drummer Wolfgang Fl was recruited to play with Ralf and Florian for a subsequent promotional TV appearance in Berlin, for the German WDR TV arts show Aspekte. He became a member of the group thereafter.
Note
^ This particular piece of equipment was sold at auction in July 2006 (Ebay Item 300001522431). According to the sales description, Kraftwerk's machine was he mother of all transistorized vocoders, an early 70s prototype custom-built for the German electronic duo.

The device was used for two studio productions, Ananas Symphonie (for synthetic vocals and the rhythm track created in conjunction with lapsteel guitar and rhythm machine) and Kristallo (with rhythm machine and EMS synthesizer). It was also later used to create the sound of the spoken intro for Autobahn. The vocoder contained 12 analysis and synthesis filter channels, 2 compressors for speech or carrier signal and excitation signal inputs, voiced /unvoiced detector and switch board for filter-matrix. It was conceived, built and constructed by electronics engineers P. Leunig (Dipl. Ing.) and K. Obermayer (Dipl. Ing.) from the Physikalisch-Technische Bundesanstalt (PTB), Braunschweig. Later, the well known German music studio engineering and supplier company R. Barth K.G. of Hamburg, Germany, boiled down...(and so on)

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(Redirected from Louis Reard)
Louis Rrd
Born
1897
Died
1984
Nationality
French
Occupation
automobile engineer, fashion designer
Knownfor
inventing bikini
Louis Rrd (1897 1984) was a French automobile engineer who invented bikini in 1946.
Contents
1 Invention of bikini
2 Marketing of bikini
3 Later life
4 Notes
//
Invention of bikini
Although Rrd was an engineer, he was running his mother's lingerie boutique near Les Folies Berges in Paris by 1946. Reard and Jacques Heim, his rival designers, were competing to produce the world's smallest swimsuit. Heim developed his swimsuit and called it the "atom" and advertised it as "the world's smallest bathing suit."
In 1946 Rrd introduced the bikini. His swimsuit was basically a bra top and two inverted triangles of cloth connected by string and it was significantly smaller. Made out of a scant 30 inches of fabric, he promoted his creation as "smaller than the world's smallest bathing suit." He called his creation the bikini, named after the Bikini Atoll. The idea struck him when he saw women rolling up their beachwear to get a better tan.
Rrd named the bikini after the Bikini Atoll, which was the site of a nuclear weapon test called Operation Crossroads on July 1, 1946 in the Pacific. During those days, words like "atomic" were beginning to be used by the media to describe something sensational and Rrd reasoned that the excitement the bikini would cause would equal that of the bomb.
Marketing of bikini
Rrd's showmanship outgunned the far more reserved Jacques Heim, and it was Rrd's bikini that shook the world at the Paris fashion show.
Rrd could not find a model who would dare to wear his design. He ended up hiring Micheline Bernardini, a nude dancer from the Casino de Paris as his model. That bikini, a string bikini with a g-string back made out of 30square inches (194cm2) of clothes with newspaper type printed across, was "officially" introduced on July 5, 1946 at a fashion event at Piscine Molitor, a popular public pool in Paris. The bikini was a hit, especially among men, and Bernardini received some 50,000 fan letters. Heim's design was the first worn on the beach, but the genre of clothing was given its name by Rrd. Reard's business soared, and in advertisements he kept the bikini mystique alive by declaring that a two-piece suit wasn't a genuine bikini "unless it could be pulled through a wedding ring."
Later life
Rrd moved with his wife to Lausanne from France in 1980. He died in 1984 at the age of 87.
Notes
^ "Encyclop?dia Britannica's Great Inventions". Encyclop?dia Britannica. http://corporate.britannica.com/press/inventions.html. Retrieved on 2008-09-17.
^ Sage, Adam (2006-04-16). "Happy birthday: the 'shocking and immoral' bikini hits 60". The Times. http://www.timesonline.co.uk/tol/news/world/europe/article705414.ece. Retrieved on 2008-09-17.
^ "The Bikini: One Of Man's Greatest Inventions". CBS News. July 2, 2006. http://www.cbsnews.com/stories/2006/07/02/sunday/main1773847.shtml. Retrieved on 2008-09-17.
^ a b c d "Bikini Introduced". A&E Television Networks. http://www.history.com/this-day-in-history.do?action=VideoArticle&id=6949. Retrieved on 2008-09-17.
^ a b Cocozza, Paula (2006-06-10). "A little piece of history". The Guardian. http://www.guardian.co.uk/travel/2006/jun/10/sttropez.filminspiredtravel.france.culturaltrips?gusrc=rss&feed=travel. Retrieved on 2008-09-17.
^ a b c Westcott, Kathryn (2006-06-05). "The Bikini: Not a brief affair". BBC News. http://news.bbc.co.uk/2/hi/in_depth/5130460.stm. Retrieved on 2008-09-17.
^ "The bikini passes the half-century mark". CNN. July 6, 1996. http://www.cnn.com/STYLE/9607/06/bikini.aniversary/. Retrieved on 2008-09-17.
^ Rosebush, Judson. "Michele Bernadini: The First Bikini". Bikini Science. http://www.bikiniscience.com/chronology/1945-1950_SS/LR4601_S/LR4601.html. Retrieved on 2008-09-17.
^ "Louis Reard, Engineer, Dies; Designed the Bikini in 1946". The New York Times. September 18, 1984. http://query.nytimes.com/gst/fullpage.html?res=9F01EFD6163BF93BA2575AC0A962948260. Retrieved on 2008-09-17.
Categories: 1897 births | 1984 deaths | French fashion designers(and so on)

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(Redirected from Ultima III)
Ultima III: Exodus
Developer(s)
Richard Garriott
Publisher(s)
Origin Systems
Designer(s)
Richard Garriott
Engine
Ultima III engine
Platform(s)
Amiga, Apple II, Atari 800, Atari ST, Commodore 64, DOS, FM-Towns, Macintosh, MSX, NES
Release date(s)
August 23, 1983
Genre(s)
RPG
Mode(s)
Single Player
Media
Floppy disk / Cartridge
Ultima III: Exodus is the third game in the Ultima series. Exodus is also the name of the game's principal antagonist. Released in 1983, it was the first Ultima game published by Origin Systems. It won "Adventure Game of the Year" in Computer Gaming World's 1985 reader poll, about which the editors wrote "Although Ultima III has been out well over a year, we feel that it is still the best game of its kind."
Contents
1 Overview
2 Other versions
3 References
4 External links
//
Overview

A battle with pirates. (NES version shown)

Exploring the countryside near Lord British's castle. A town is nearby, along with various enemies. (NES version)
After Ultima II was set on Earth, the story of Exodus centers on a quest back in Sosaria, the world of Ultima I. The player's mission is to destroy the final remnant of the evil Mondain and Minax. Exodus features revolutionary graphics for its time, being the first computer RPG to display animated characters. Also, Exodus differs from previous games in that players now direct the actions of a party of several characters rather than just one. Players now battle groups of enemies on a separate battle screen, where the player has to understand fairly complex weapons and magic systems and employ rudimentary tactics in order to overcome each opponent, as opposed to the system in the previous two games, in which the player is simply depicted as trading blows with one opponent on the main map until either is defeated.
While previous Ultima games let the player explore wire-frame first-person dungeons in Ultima I (where they were randomly generated) and Ultima II (where they served no real purpose), Exodus' dungeons are solid-3D in appearance, integrated into the game's plot, and remain the same across multiple plays (therefore introducing the element of encouraging players to actually create their own maps for dungeons). In many other ways Exodus is more focused than the earlier parts; futuristic references are largely (though not completely) gone; and while the total area of maps in Ultima III is much smaller than in Ultima II, the large swathes filled only with useless landscape without any interesting features are gone. By denying the player the ability to see what's behind mountain peaks, forests, and walls, the maps can now contain many small surprises such as hidden treasure, secret paths and out-of-the-way informants. The look of the game is no longer based on certain characteristics of the Apple II hardware; it is rather a carefully designed screen layout.
The game is named for its chief villain, Exodus, a demonic creation of Minax and Mondain that the series later describes as neither human nor machine. At the beginning of the game, Exodus is terrorizing the land of Sosaria from his stronghold on the Isle of Fire (known as Fire Island in Ultima Online). The player character is summoned by Lord British to defeat Exodus and embarks on a quest that takes him to the lost land of Ambrosia, to the depths of the dungeons of Sosaria to receive powerful magical branding marks and to find the mysterious Time Lord, and finally to the Isle of Fire itself to confront Exodus in his lair. The game ends immediately upon Exodus' defeat; but unlike many games in the genre, Exodus cannot simply be killed in battle by a strong party of adventurers, but only through clever puzzle-solving and by paying attention to the many clues given throughout the game. At the end of the game, players were instructed to "REPORT THY VICTORY!" to Origin. Those who did so received a certificate of completion autographed by Richard Garriott. This was continued for later games in the series.
Although this is the last game in the series to take place in Old Sosaria, places in the game such as Ambrosia and the Isle of Fire make cameo appearances in later games, namely Ultima VII.
Exodus became a smash hit, and it is credited as a game that laid the foundation for the computer role-playing game genre, influencing games such as Dragon Warrior and Final Fantasy.
Other versions
Numerous ports of Ultima III appeared on many different systems. Below is a complete list of the various systems Ultima III: Exodus has appeared on along with some differences between them.
System
Release date
Publisher
Notes
Amiga
1986
Origin Systems
More colorful graphics than the original.
...(and so on)

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(Redirected from Ultima III)
Ultima III: Exodus
Developer(s)
Richard Garriott
Publisher(s)
Origin Systems
Designer(s)
Richard Garriott
Engine
Ultima III engine
Platform(s)
Amiga, Apple II, Atari 800, Atari ST, Commodore 64, DOS, FM-Towns, Macintosh, MSX, NES
Release date(s)
August 23, 1983
Genre(s)
RPG
Mode(s)
Single Player
Media
Floppy disk / Cartridge
Ultima III: Exodus is the third game in the Ultima series. Exodus is also the name of the game's principal antagonist. Released in 1983, it was the first Ultima game published by Origin Systems. It won "Adventure Game of the Year" in Computer Gaming World's 1985 reader poll, about which the editors wrote "Although Ultima III has been out well over a year, we feel that it is still the best game of its kind."
Contents
1 Overview
2 Other versions
3 References
4 External links
//
Overview

A battle with pirates. (NES version shown)

Exploring the countryside near Lord British's castle. A town is nearby, along with various enemies. (NES version)
After Ultima II was set on Earth, the story of Exodus centers on a quest back in Sosaria, the world of Ultima I. The player's mission is to destroy the final remnant of the evil Mondain and Minax. Exodus features revolutionary graphics for its time, being the first computer RPG to display animated characters. Also, Exodus differs from previous games in that players now direct the actions of a party of several characters rather than just one. Players now battle groups of enemies on a separate battle screen, where the player has to understand fairly complex weapons and magic systems and employ rudimentary tactics in order to overcome each opponent, as opposed to the system in the previous two games, in which the player is simply depicted as trading blows with one opponent on the main map until either is defeated.
While previous Ultima games let the player explore wire-frame first-person dungeons in Ultima I (where they were randomly generated) and Ultima II (where they served no real purpose), Exodus' dungeons are solid-3D in appearance, integrated into the game's plot, and remain the same across multiple plays (therefore introducing the element of encouraging players to actually create their own maps for dungeons). In many other ways Exodus is more focused than the earlier parts; futuristic references are largely (though not completely) gone; and while the total area of maps in Ultima III is much smaller than in Ultima II, the large swathes filled only with useless landscape without any interesting features are gone. By denying the player the ability to see what's behind mountain peaks, forests, and walls, the maps can now contain many small surprises such as hidden treasure, secret paths and out-of-the-way informants. The look of the game is no longer based on certain characteristics of the Apple II hardware; it is rather a carefully designed screen layout.
The game is named for its chief villain, Exodus, a demonic creation of Minax and Mondain that the series later describes as neither human nor machine. At the beginning of the game, Exodus is terrorizing the land of Sosaria from his stronghold on the Isle of Fire (known as Fire Island in Ultima Online). The player character is summoned by Lord British to defeat Exodus and embarks on a quest that takes him to the lost land of Ambrosia, to the depths of the dungeons of Sosaria to receive powerful magical branding marks and to find the mysterious Time Lord, and finally to the Isle of Fire itself to confront Exodus in his lair. The game ends immediately upon Exodus' defeat; but unlike many games in the genre, Exodus cannot simply be killed in battle by a strong party of adventurers, but only through clever puzzle-solving and by paying attention to the many clues given throughout the game. At the end of the game, players were instructed to "REPORT THY VICTORY!" to Origin. Those who did so received a certificate of completion autographed by Richard Garriott. This was continued for later games in the series.
Although this is the last game in the series to take place in Old Sosaria, places in the game such as Ambrosia and the Isle of Fire make cameo appearances in later games, namely Ultima VII.
Exodus became a smash hit, and it is credited as a game that laid the foundation for the computer role-playing game genre, influencing games such as Dragon Warrior and Final Fantasy.
Other versions
Numerous ports of Ultima III appeared on many different systems. Below is a complete list of the various systems Ultima III: Exodus has appeared on along with some differences between them.
System
Release date
Publisher
Notes
Amiga
1986
Origin Systems
More colorful graphics than the original.
...(and so on)

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Tsubasa Oozora
Captain Tsubasa character
First appearance
Captain Tsubasa manga chapter 1Captain Tsubasa anime episode 1
Voiced by
Captain TsubasaYouko OgaiCaptain Tsubasa JYouko Ogai (young)Nozomu Sasaki (adult)Shin Captain TsubasaYouko OgaiCaptain Tsubasa Road to 2002Kikuko Inoue (youth)Tomokazu Seki (adult)
Profile
Date of birth
July 28
Known relatives
Koudai Oozora (father)Natsuko Oozora (mother)Sanae Nakazawa (wife: in manga)
Position
Midfield-striker
Jersey Number
10 (National Team)#28 (FC Catalunya)
Team member position
(National Team)CaptainFC CatalunyaRegular player
Tsubasa Oozora (?? ? ,?zora Tsubasa?) is the main character of the manga and anime series Captain Tsubasa, authored by Yoichi Takahashi. The name literally translates to "Big Sky Wings". A prodigious soccer player, Tsubasa dreams of one day winning the FIFA World Cup for Japan. His position is midfielder, usually wearing jersey #10.
Contents
1 Story
2 Family
3 Teams
4 See also
//
Story
Tsubasa Oozora is known as the Soccer no Moshigo which translates as "heaven-sent child of soccer". At the beginning of the series, Tsubasa, a lonely but not embittered boy obsessed with soccer, is an elementary school student who has just moved to the city of Nankatsu with his mother. As revealed by his mother, Tsubasa was saved by his football in a truck accident when he was barely able to walk, Tsubasa had held the football in front of him which served as a cushion for most of the impact. The force of the bump blew him away, but he was able to right himself over again with the ball. Hence, Tsubasa Oozora's motto of "The ball is my friend". Because his former school did not have a football team, the Oozora family thus decided to move to Nankatsu, in order for Tsubasa to join Shutetsu elementaty school, which was the national soccer champion.
Immediately upon arrival, he sets out to explore the new city, and arrives at the local soccer field where the players of Nankatsu elementary school, led by Ryo Ishizaki, quarrel with those of Shutetsu elementary school over who gets to use the field. Impressed with Shutetsu's genius goalkeeper Genzo Wakabayashi, Tsubasa resolves to challenge him to a duel. This is the beginning of a lifetime friendship and rivalry between the two of them.
The duel is observed by Roberto Hongo, a former member of the Brazil national football team and a friend of Tsubasa's father's, who becomes his mentor. Joining Nankatsu school's soccer team, Tsubasa meets Taro Misaki with whom he forms such a perfect combination that the two of them come to be called "The Golden Duo", and chief supporter Sanae Nakasawa who soon develops a crush on him.
Chosen for the city's team in the National championship, Tsubasa and his friends face strong rivals such as Kojiro Hyuga, who will remain one of Tsubasa's strongest rivals in Japan, Ken Wakashimazu, Jun Misugi and Hikaru Matsuyama. Nankatsu triumphs in this championship and the three following in middle school. Tsubasa and many of his friends and rivals are also part of the team that wins the U-16 World Championships for Japan before Tsubasa, following his dream to become a pro in Brazil, leaves Japan, but he keeps coming back for the National team.
He later marries Sanae Nakazawa and moves to Barcelona with her when he joins FC Barcelona (FC Catalunya in the anime).
Family
Tsubasa's father, Koudai Oozora, works as a marine captain and is at sea most of the time, so he was brought up by his mother, Natsuko. However, he has a much younger brother, Daichi (who was seemingly born after he left Japan) This also explains his strong attachment to Roberto Hongo, whom he sees as an idol and most likely as a sort-of secondary father figure.
After the WYC, Tsubasa later marries his long time girlfriend and Nankatsu's team manager, Sanae Nakazawa, who is currently pregnant.
In the Millennium Dream (a special concerning the Olympic Games which is supposedly something Sanae dreamt), the Oozora-Nakasawa couple have two boys: Hayate and Daibu.
Teams
Nankatsu elementary school
Nankatsu senbatsu team
S?o Paulo FC (FC Branco)
FC Barcelona
Japan national football team
See also
Captain Tsubasa
List of Captain Tsubasa characters
Categories: Captain Tsubasa | Fictional football (soccer) players
Hidden categories: Articles lacking sources from January 2009 | All articles lacking sources | Articles containing Japanese language text(and so on)

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The Philips Intimate Massager is a range of electric personal massagers (otherwise known as a vibrator) intended for external use on the body curves by couples in intimate relationships. The products are made by Philips and were first introduced to the UK market during 2008.
The controversial product range consists of three non-penetrative stimulators that are inspired by the body contours that glide smoothly against the skin. Their powerful motors are quiet and stimulate different pleasure points at varying intensities. The massagers are waterproof, and some models are also water tight for tub use. They are used wirelessly after fully recharging using a supplied charging base that uses the same magnetic recharging technology which is widely used by modern power toothbrushes.
The Product Range
The Warm Intimate Massager model can be pre-warmed to body temperature in 5 minutes with the included charging base and have three quiet vibrating motors positioned to stimulate the erogenous zones with a quiet purr. Philips HF8410/00 Warm Intimate Massager
The Dual Intimate Massager model is specially designed to fit snugly in hands and matches the contours of the male and female bodies. Philips HF8400/00 Dual Intimate Massager
The Warm Intimate Massager with Candlelights model is similar to the Warm Intimate Massager but comes with a set of LED rechargeable candles. Philips HF8430/00 Candlelights and Intimate Massager
Sources and further reading
Philips Intimate Massager official site
Philips changes the mood with Warm Intimate Massager
Electronics giant Philips to launch sex toy range
Alan Titchmarsh show reviews Intimate Massagers
Related Pages
Hitachi Magic Wand
Emotional Bliss Intimate Massagers
This sexuality-related article is a stub. You can help Wikipedia by expanding it.
Categories: Massage | Sex toys | Sexuality stubs
Hidden categories: Wikipedia articles needing style editing from November 2008 | All articles needing style editing(and so on)

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This is a list of members of the New Democratic Party Shadow Cabinet of the 40th Canadian parliament. Positions in the shadow cabinet were announced on November 17, 2008 and include all 37 members of the New Democratic Party caucus in the Canadian House of Commons except Joe Comartin who was running for election as Speaker of the Canadian House of Commons when the shadow cabinet was appointed.
Portfolio
Critic
Leader (Critic for the Prime Minister of Canada)
Hon. Jack Layton
(2004-)
Deputy Leader
Libby Davies, Thomas Mulcair
(2007-)
Critics for Ministers
Minister of Agriculture and Agri-Food
Alex Atamanenko
(2006-)
Minister for the Atlantic Canada Opportunities Agency
Jack Harris
(2008-)
Minister of Canadian Heritage and Status of Women (Canadian Heritage)
Charlie Angus
(2008-)
Minister of State (Status of Women)
Irene Mathyssen
(2007-)
Minister of Citizenship and Immigration
Olivia Chow
(2007-)
Minister of the Economic Development Agency of Canada for the Regions of Quebec
Thomas Mulcair
(2007-)
Minister of the Environment
Linda Duncan
(2008-)
Minister of Finance
Thomas Mulcair
(2007-)
Minister of Fisheries and Oceans
Peter Stoffer
(1997-)
Minister of Foreign Affairs
Paul Dewar
(2007-)
Minister of Health
Judy Wasylycia-Leis
(2007-)
Minister of Human Resources and Social Development
Tony Martin
(2004-)
Minister of Human Resources and Social Development (Employment Insurance)
Yvon Godin
(2007-)
Minister of Indian Affairs and Northern Development (Aboriginals)
Jean Crowder
(2006-)
Minister of Indian Affairs and Northern Development (Northern Development and Sovereignty )
Dennis Bevington
(2006-)
Minister of Industry
Brian Masse
(2008-)
Minister of Intergovernmental Affairs
Jack Layton
(2006-)
Minister for International Cooperation
John Rafferty
(2008-)
Minister of International Tradeand Minister for the Pacific Gateway and the Vancouver-Whistler Olympics
Peter Julian
(2004-)
Minister of Justiceand Attorney General
Libby Davies
(2008-)
Minister of Labour
Chris Charlton
(2008-)
Leader of the Government in the House of Commons
Libby Davies
(2003-)
Minister of National Defence
Dawn Black
(2006-)
Minister of National Revenue
Carol Hughes
(2008-)
Minister of Natural Resources
Nathan Cullen
(2008-)
Minister of Public Safety
Jack Harris
(2008-)
Minister of Public Works and Government Services and Crown Corporations
Pat Martin
(2008-)
Minister of Transport, Infrastructure and Communities
Dennis Bevington
(2008-)
President of the Treasury Board
Pat Martin
(2008-)
Minister of Veterans Affairs
Peter Stoffer
(2004-)
Minister of Western Economic Diversification
Don Davies
(2008-)
Deputy Critics
Food Security and Agriculture
Malcolm Allen
(2008-)
Finance
Chris Charlton
(2008-)
Citizenship and Immigration
Don Davies
(2008-)
Crown Corporations
Paul Dewar
(2008-)
Industry (Mines)
Claude Gravelle
(2008-)
Energy (Atlantic Region)
Jack Harris
(2008-)
First Nations, Metis, and Inuit Affairs (Health)
Carol Hughes
(2008-)
Environment (Water and National Parks)
Bruce Hyer
(2008-)
Fisheries (West Coast)
Peter Julian
(2008-)
First Nations, Metis and Inuit Affairs (Urban Issues) and Justice
Megan Leslie
(2008-)
Public Works (E-government)
Jim Maloway
(2008-)
Industry (Steel)
Wayne Marston
(2004-)
Agriculture (Canada Wheat Board) and Energy (Energy Retrofits)
Pat Martin
(2008-)
Public Safety
Irene Mathyssen
(2008-)
Industry (Forestry) and Hertiage and Culture (Canadian Broadcasting Corporation)
John Rafferty
(2008-)
Foreign Affairs (Americas)
Denise Savoie
(2008-)
Industry (Shipbuilding)
Peter Stoffer
(1997-)
Critics for Special Ministerial Responsibilities
Minister responsible for Democratic Reform
David Christopherson
(2008-)
Minister for the Federal Economic Development Initiative for Northern Ontario
Claude Gravelle
(2008-)
Federal Interlocutor for Mis and Non-Status Indians
Jean Crowder
(2006-)
Minister responsible for La Francophonie and Official Languages
Claude Gravelle
(2008-)
Minister for Sport
Glenn Thibeault
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It has been suggested that this article or section be merged into Beer pong (paddles). (Discuss)
Pong is a drinking game played at Dartmouth College that is loosely based on ping pong. A 2005 survey conducted by former Dartmouth College Statistician John Pryor and reported on in The Dartmouth found that 80% of Dartmouth students had played the game.
Contents
1 History and culture
1.1 Origins
1.2 Evolution
2 Dartmouth Pong Today
2.1 Tournaments
3 References
4 External links
//
History and culture
By the early 21st century, newspapers frequently attributed the origin of beer pong to Dartmouth College: "Legend has it that the game, which can be played with paddles..., started years ago at a Dartmouth College fraternity party."
The version of beer pong played at Dartmouth differs from that played at many U.S. colleges and universities. Other than at Dartmouth, a few schools in Pennsylvania and some in California, the phrase "beer pong" generally refers to the game of "Beirut" or "Lebanon," a popular drinking game in which players take turns throwing a ping pong ball by hand at an opponent's beer-filled cups located opposite. No paddles are involved, and the element of defense or any kind of back-and-forth volleying is absent. As it emerged at Dartmouth, however, pong is played with paddles and retains the basic service-volley-score form of table tennis.
Origins
In its general form, pong has been traced back to at least the 1950s as a casual attempt to combine the popular activities of drinking and ping pong. The game is said to have been started when a fraternity brother first put his beer on the table while playing ping pong or while watching others do so. Early pong had fewer cups and fewer rules, and was played by both men and women at parties, although it emerged before Dartmouth's coeducation. History professor Jere Daniell '55 stated that he played the game as a student, and Bob Shirley '57 stated that he began playing in 1956. (Shirley suggests that the game began when spectators rested their cups of beer on a table during a ping-pong game.) One of the earliest published photographs depicting a game of pong anywhere in the world appeared in Dartmouth's annual yearbook, the Aegis of 1968, on page 304. Pong spread through Dartmouth houses gradually, and some held onto prior games into the 1980s (four-square at Sigma Nu, for example).
Evolution
The game as it is played today probably did not evolve until the late 1970s and may be tied to the advent of cheap plastic cups. By 1976, students began publishing articles about the game. According to a 1999 New York Times article, pong "has been part of fraternity life for at least 40 years, as hallowed as rush or Winter Carnival". Other Ivy League newspapers have called Dartmouth "the spiritual home of beer pong", and characterized pong as "a way for Dartmouth frat boys to get drunk [that] has become what is arguably America's favorite drinking game".
Dartmouth Pong Today
An official 2004 survey provided these statistics:
About 60 percent of students had played pong at least once within the two weeks prior to the survey.
About 20 percent of students have never played pong.
The most popular cup formations are Shrub (33 percent) and Tree (31 percent), with Line/Death at 8 percent and Ship at 6 percent.
Tree requires the average player to consume 7.3 drinks, Shrub 5.7 drinks, Line/Death 5.2 drinks, and Ship 7.4 drinks.
Pong is played most in the houses of fraternities and various other college-affiliated societies, including sororities, co-ed undergraduate societies and some senior societies, as well as in off-campus residences. Most of these houses have two or more pong tables, often extensively painted with heraldic and other emblems and scenes and usually situated in the basement. Pong is also played outdoors during good weather. There is a strong link between pong and the Greek system, as fraternity basements are the most common "public" venue for pong playing. However, pong is a prevalent feature throughout Dartmouth undergraduate society and culture, and is often played among classmates, teammates, and club members. Pong tables are too large to fit in most dorm rooms, and such spaces are also subject to much greater college regulation of alcohol.
Pong enjoys a high standing among Dartmouth students. It is sometimes regarded as the predominant social practice on campus, and participation in pong arguably is more characteristic of Dartmouth students than participation in any similar activity characterizes students at any other American college. At least one member of Dartmouth's Board of Trustees (Stephen Smith) has stated his affection for pong and has derided perceived administrative concerns about water pong.[not in citation given]
Students regard pong not only as a drinking game...(and so on)

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Wayfinder Systems AB
Type
Subsidiary
Genre
Mobile Navigation
Headquarters
Stockholm, Sweden
Key people
Tommy Ahlers CEO
Industry
IT
Products
Navigation Software
Parent
Vodafone
Website
http://www.wayfinder.com
Wayfinder Systems AB is a wholly-owned subsidiary of Vodafone specializing in creating mobile navigation systems for a numer of platforms such as Symbian 2nd and 3rd edition, UIQ, Windows Mobile and some other smartphones. An external Bluetooth GPS receiver is required for non GPS enabled phones.

Wayfinder Screenshot on a Nokia 6680.
Contents
1 Wayfinder Navigator
2 Wayfinder Earth
3 Wayfinder Active
4 Speed Cameras
5 References
6 External links
//
Wayfinder Navigator
Wayfinder Navigator is a mobile GPS application that provides turn-by-turn directions through a mobile phone. By downloading pre-loaded maps, Navigator can provide directions and different points of interest without Internet connection.
In May 2008, Wayfinder Navigator was updated to include pre-loaded maps, social networking and map coverage of 150 countries world-wide.
Wayfinder Earth
Wayfinder Earth is a mobile application that displays a 3D globe. The application contains over 3 million Points of Interest (POIs) including restaurants, train stations, bars, museums, gas stations and hospitals. Another international application, map coverage includes Europe and North America. Wayfinder Earth can set favorites, save address searches and show GPS information such as speed, position and heading as well.
As the maps are downloaded from the internet on the fly so the phone requires a GPRS/UMTS connection. Maps are cached on the phone memory or memorycard. According to the site, maps can even be downloaded from the site and stored on the phone, once you have registered. A half an hour of navigating uses approximately 200 kb of data or only 8 kb in the so called Guide view.
Wayfinder Active
Wayfinder Active is a mobile phone GPS application which tracks physical outdoor activities. The application calculates exercise statistics such as distance, calories burned and altitude info, so that people can set and track specific exercise goals. Through an online community, activeoutdoor.com, people can track and share local routes within the community.
Speed Cameras
Wayfinder launched the Wayfinder SpeedAlert application in December 2006. The application runs on Java and Symbian 3rd edition only. It warns the user of 15.000 speed cameras around Europe as well as when exceeded a manually set speed limit.
References
^ "Extraordinary General Meeting of shareholders in Wayfinder Systems AB (publ)"|Wayfinder press release|2009-02-16
^ "Vodafone completes its recommended cash offer for Wayfinder", Wayfinder Press Release, 2009-01-28
^ "Multisport: State of the art mobile navigation Wayfinder launches improved version of Wayfinder", Runner's Web, May 06 2008.
^ "Don lose your way - Wayfinder Navigator", Thinking Aloud, May 13 2008.
^ "Wayfinder Earth: navigation on a phone without GPS", Avec Mobile, June 05 2006.
^ "Wayfinder Active is a way cool GPS app", CNET, April 04 2008.
External links
www.wayfinder.com (Official Website)
"Wayfinder Updates Wayfinder Navigator". Locations Magazine. 2008-05-07. http://www.location.net.in/news/viewn.asp?id=GIS:N_msoxzfapht. Retrieved on 2008-05-07.
"Wayfinder Navigator review". Locations Magazine. 2008-08-21. http://www.pcadvisor.co.uk/reviews/index.cfm?reviewid=103340&pn=1. Retrieved on 2008-08-21.
"A Conversation With Jonas Sellergren, VP Of Innovations For Wayfinder". GPS Obessed. 2008-06-10. http://gpsobsessed.com/gps-applications/a-conversation-with-jonas-sellergren-vp-of-innovations-for-wayfinder/. Retrieved on 2008-06-10.
"Location is the Ultimate Context: A Review of the Major Developments from Three LBS Conferences in San Francisco - CTIA, SiRF Location Summit & NAVTEQ Connections". Directions Magazine. 2008-10-01. http://www.directionsmag.com/article.php?article_id=2886&trv=1. Retrieved on 2008-10-01.

v?d?eVodafone Group
Subsidiaries
Albania Australia Czech Republic Egypt Germany Ghana Greece Hungary India Ireland Italy Malta Netherlands New Zealand Northern Cyprus Portugal Qatar Romania Spain Turkey United Kingdom
Joint ventures, affiliates, and investments
China (Mainland) Fiji France Kenya India Poland South Africa (Includes DR Congo Lesotho Mozambique Tanzania) United States
Partners
Afghanistan Armenia Austria Bahrain Belgium Bermuda Bulgaria Caribbean Chile China (Hong Kong) Croatia Cyprus Denmark Estonia Faroe Islands Finland Guernsey Iceland Indonesia Japan Jersey Latvia Lithuania Luxembourg Macedonia...(and so on)

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exterior of a subzero unit

control console of a subzero
Sub-Zero Refrigerator is a brand of residential refrigerator built in the USA. The company also manufactures kitchen appliances under the Wolf brand name.
Contents
1 History
2 Innovations
3 Appliance models
4 References
5 External links
//
History
The Sub-Zero Freezer Company was founded in 1945, by Westye F. Bakke in Madison, Wisconsin. In 2000, they acquired the domestic appliance line of the Wolf Range Corporation, a California-based manufacturer of professional-style ranges, cooktops and grills for both home and commercial use.
Sub-Zero Inc. now sells the domestic line of ranges and ventilation equipment formerly made by Wolf Range Corporation under the brand name Wolf, while the original Wolf Range Corporation manufactures and sells cooking equipment solely for commercial use. The company's products compete with those made by Viking Range Corporation, Dacor, Thermador, GE Monogram, KitchenAid, Bosch and Miele.
Innovations
According to the official company history, Bakke invented the first free-standing freezer in 1943. They also claim to have been the first to manufacture built-in refrigerators, beginning in the 1950s, and consequently many people still associate the look with Sub-Zero[citation needed]. Sub-Zero claims to be the only company to employ dual-refrigeration technology, which ostensibly "keep[s] fresh food fresher and preserve[s] frozen food longer".
Appliance models
Sub-Zero manufactures two series of built-in refrigeration as well as wine storage and undercounter units. Each of the refrigerator models usually comes in three variations, namely stainless steel exterior in three finishes, or customizable exteriors in framed or overlay versions. The latter options allow the buyers to install kitchen cabinet panels on the door to match with the rest of the kitchen. Its refrigerators are designed with a 24" depth and can be installed flush with kitchen cabinets of the same standard depth to provide an integrated look. This kind of built-in refrigerator is usually wider than normal to compensate for the shallower depth in order to maintain acceptable storage volume.
The company currently has manufacturing locations in Madison, Wisconsin, Fitchburg, Wisconsin, and Phoenix, Arizona.
References
^ "History of Sub-Zero and Wolf". http://www.wolfappliance.com/about/history.aspx.
^ "History of Sub-Zero". http://www.wolfappliance.com/about/subzerohistory.aspx.
^ "History of Sub-Zero". http://www.wolfappliance.com/about/subzerohistory.aspx.
^ "History of Sub-Zero". http://www.wolfappliance.com/about/subzerohistory.aspx.
External links
Sub-Zero website
Sub-Zero parts
Wolf Appliance website
Sub-Zero says new fridges will help cut food waste
TreeHugger Interview with Sub-Zero Marketing VP on Green Appliances and Kitchens
Categories: Privately held companies of the United States | Home appliance brands | Home appliance manufacturers | Companies established in 1945 | Companies based in Madison, Wisconsin
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Some twist ties. Note users can get creative with uses for twist ties... to hold AV wires in a more organized way, for example.
A twist tie is a metal wire encased in a thin strip of paper or plastic used to tie the openings of bags such as garbage bags or bread bags. They are often included with boxes of sandwich baggies or trash bags, and are commonly available individually in pre-cut lengths, on large spools, or in perforated sheets called gangs.
The outer covering can be in a variety of colors with or without printing. Plain paper, metallic paper, plastic, and poly coatings are popular for different applications. The plastic, poly, or metallic paper twist ties withstand water better than the uncoated paper versions. Water-resistant twist ties are sometimes used to package lettuce and other vegetables, although hook and loop closures are beginning to replace it. Different sizes and strengths are used for different applications, from a small closure for a bag of bread to a large, heavy tie to hold unwieldy garden hoses in place. A twist tie with a broad paper covering may also be used for labeling purposes.
A non-twisting plastic fastener similar to a cable tie may also be called a twist tie, although this is technically incorrect.
Twist ties, particularly metallic colors, are occasionally used to decorate packages.
Categories: Fasteners | Packaging
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